AMPLIFIER REPAIRS AND MODIFICATIONS
Musicians usually have an idealized instrument sound in mind that they
try to create with technique and the instrument. In the case of the electric
musician, the instrument includes the axe, electronic processing and amplification.
We team up with the musician to modify and coax his electronics to produce
that ideal sound. The following is a list of general repair procedures
and modifications that will benefit any amplifier. Beyond this, check out
our Fender and Marshall mods. Talk to us about your personal sound and
equipment. We often work with individual players and develop a special
mod or design and build custom gear that gets them to their unique personal
sound.
THE COMPLETE OVERHAUL
The overhaul begins with a thorough inspection and check of all of the
amplifier's components. Any defective or suspicious component is replaced.
Transformers, reverb tanks and speakers are not covered under the overhaul.
All controls and switches are chemically cleaned to remove dirt and corrosion.
Control and switch contact surfaces are reconditioned with Cramolin. Tube
sockets are similarly treated and retensioned. Power tubes are replaced
with tubes that are aged and dynamically balanced on the bench under operating
conditions. All operational parameters are checked. After bench testing,
the amplifier is played extensively in our soundroom. We guarantee that
your amplifier will meet or exceed the original factory specifications.
POWER SUPPLY MODIFICATION
We recommend this performance enhancement modification for all stock tube
amplifiers. This modification greatly increases the power supply reserve
of the amplifier. Musically, the mod offers a much tighter bass response,
greater definition and improved dynamics. This mod does not effect the
tonal characteristics of the amp. An additional benefit is a much improved
noise performance.
ACTIVE EFFECTS LOOP
Our active effects loop is completely transparent. Translation: you can't
hear the loop, it in no way changes the gain or tonal characteristics of
the amp. The send and return are normally calibrated to studio level (+4dbm)
and impedances (send-low, return-high). The loop can be adjusted to accommodate
instrument driven pedal effects. We position the loop in the amplifier
(before the master volume control) so that the loop send doubles as a preamp
out and the return converts the power stage of the amplifier into a slave
amp with the master now working as the volume control for the slave.
HIGH VOLTAGE MODIFICATION
A separate high voltage power supply is added to the front end and tone
control sections of the amp. This mod achieves the "brown sound" associated
with variac enhanced Marshalls. Unlike variacs, this modification will
not shorten output tube life or damage output and power transformers. This
mod increases the amps headroom and sensitivity giving the amplifier the
kind of attack where notes seem to jump from your speakers.

